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Thanks

// April 25th, 2010 // No Comments » // news

Big thanks to all the volunteers, speakers and to those who contributed funds to help make DIYDays NYC a reality. Over the coming days and weeks we’ll be releasing videos from the event on WorkBookProject.com. We’re also in the process of merging this site with the new version of the WorkBook Project site.

Next up for DIYDays is a stop in LA later this fall. If you’re interested in lending a hand and / or know of someone who would make a good speaker please let us know.

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Speaker Highlight – Ethan Rublee

// April 3rd, 2010 // No Comments » // NYC, news

ethanEthan Rublee is a researcher at the Computer Fusion Laboratory in Temple University’s College of Electrical and Computer Engineering. He is also a software engineer with Seize the Media, working on transmedia application development. As of late, Mr. Rublee’s research involves augmented reality, computer vision, novel human interfaces, and mobile apps. Ethan is currently developing mobile and web applications for Lance Weiler’s transmedia project, HIM.

Q & A:

What excites you about the future?

What excites me about the future: There are so many brilliant people being connected by the ethers of the net, sharing knowledge freely and collaborating. Everyday, someone shares this piece of code or that circuit. People are even trying to make open-source fusion reactors! I can see the day coming when the fusion reactor in my kitchen breaks and I print out a new one with a Makerbot.

What is on your playlist, reading list, or movie queue?

modest mouse, neutral milk hotel, wolf parade, broken social scene, mirah, M.I.A.

What are some of your favorite sites and / or blogs?

sparkfun.com, kickstarter.com, wikipedia, last.fm, makezine.com, pandora.com, xkcd.com, wolframalpha.com, makerbot.com

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Limited edition Dan Goldman

// April 2nd, 2010 // No Comments » // NYC, news

We’re super excited about the limited edition DIY DAYS NYC posters that Dan Goldman created for the event. We’ve done a limited run of 50. Here they are fresh out of the oven. A three ink process on thick french paper hand printed by Sire Press. They are available for a donation of a $100. All the proceeds go to helping to make DIY DAYS events free and open to all. For more info visit our indiegogo page. BIG THANK YOU’S to all the folks who’ve donated already. Everything beyond the goal for NYC is being applied for the fall event that we’ll do in LA.

diydaysNYC

For more on Dan visit www.dangoldman.net

Dan spoke at DIY DAYS PHL about the future of comics here’s his talk

TALK – THE FUTURE OF COMICS
Comics are evolving right off the printed page into an online medium all its own; what do new mobile hardware platforms mean for online/digital comics? Acclaimed comics creator DAN GOLDMAN (Shooting War, 08:A Graphic Diary of the Campaign Trail) discusses what portability means to expanding your readership, creating new business models and exploring new global distribution channels.

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DIY DAYS NYC schedule

// March 31st, 2010 // 1 Comment » // NYC, news

DIY DAYS NYC
30+ speakers
8 workshops
11 talks
2 think tanks
23 open sessions

***ALL FREE

SATURDAY APRIL 3rd

9:30 AM to 10:10 AM
Registration

WOLLMAN HALL

10:10 to 10:15
Opening remarks

10:20 to 10:40
OPENING KEYNOTE – TED HOPE
Ted Hope, co-founder of This is that & Good Machine, has produced close to sixty films, including three Sundance Grand Prize winners and the first features of Alan Ball, Todd Field, Michel Gondry, Nicole Holofcener, and Ang Lee. A strong supporter of a truly free film movement Ted believes that– due to the democratization of the tools which enable & spread creative expression — a self-supporting artistic middle class is now establishing itself. But in order for all those who are creating to also sustain, we must be as rigorous in thought & action towards the creation of an independent infrastructure. Are you up for the challenge?

10:45 to 11:05
REINVENTING INNOVATION – BRIAN NEWMAN
The future of media is being invented today, but it is increasingly being defined by the terms of the old models for media production and consumption. This is for the worse, because instead of a new era of innovation we are in danger of a new era of sameness. The future of media is not just about new distribution models and building a fancy new TV that can show 3D, pull down an endless library of content and let us chat with our neighbor about which products to buy. This is precisely what passes for visionary by those controlling the future of media now, and unless media artists take an active role in creating the future, that may be the best we get. What would true innovation look like and what are the historical models we can turn to for innovative thinking about the future of the field?

11:10 to 11:40
TRANSMEDIA STORYTELLING: CREATING BLOCKBUSTER WORLDS – JEFF GOMEZ
Growing up in the projects of Manhattan’s Lower East Side, Jeff Gomez dreamed of fantastic realms full of strange creatures, amazing heroes and high adventure. Today, as the President and CEO of Starlight Runner Entertainment, Jeff engages audiences around the world by producing spectacular transmedia storylines for Disney, 20th Century Fox, Hasbro, Microsoft and Coca-Cola. DIY Days invites you to hear Jeff tell his remarkable tale, and learn about a vanguard form of writing, creative development and production that is taking the entertainment and advertising worlds by storm.

11:45 to 12:05
CONNECTED TOYS: STORYTELLING, GAMING & MORE – MICHAEL LAST and THERESA LOONG
Toys have been used as storytelling devices for years. In this session, we will talk briefly about past uses of toys. Then, we will discuss the current state of the industry. With the advent of broadband internet, wi-fi, etc., toys can act as a new platform for distributing traditional media, such as songs and stories. In addition, toys can be used as conduits for interactive media, such as games and interactive stories. We will talk about Intellitoys’ platform as well as future possibilities of toys and content. As media companies move from licensing toys that simply utilize their characters to toys that reinforce their narratives and their missions, where do content creators (artists, musicians, gamers and technologists) fit?

12:05 to 12:25
UNIVERSAL RECORD DATABASE – DAN ROLLMAN
What do ‘Most money destroyed for profit’, the ‘Longest shhh’ and ‘Most flaxseed cracker people created in one minute’ have in common? They are all records held on Dan Rollman and Corey Henderson’s Universal Record Database, otherwise known as the ‘definitive site for human achievement’. Dan Rollman takes us through the thinking behind the project and shares how URDB has built a dedicated community.

12:25 to 12:35
OPEN SESSION what are you working on what do you need ? 1 minute x 10 people
Conference attendees are given 60 seconds to present a project and express what they need to make it happen. These slots are LIMITED and will be available on a first come first serve basis. Interested parties will be able to sign up for a slot when registration opens at 9:30.

12:35 to 1:15
LUNCH BREAK

1:20 to 1:40
WHITHER PRINT? – CYNDI STIVERS and SREE SREENIVASAN
Will Apple’s iPad and the new wave of tablets usher in a new reading experience? Are consumers ready for a transmedia magazine, and is traditional publishing up to the task of producing one that is commercially viable? The blogosphere has left its mark on old-school media, social media has in turn transformed blogging, and the reader is now at the center of the media conversation. But what, if anything, will consumers pay for? And what will advertisers support? Join Cyndi Stivers (of EW.com, formerly of Time Out New York) and Sree Sreenivasan (Columbia J-school dean and digital media professor as well as contributing editor of DNAinfo.com) for a discussion of the next-gen print experience.

1:45 to 2:05
FOUND STORIES – JASON BITNER
Sometimes the story that you intend to tell takes you on a journey you never expected. Join Jason Bitner co-founder of Found Magazine and co-creator of Cassette From My Ex as he shares the birth of an unexpected project – LaPorte, Indiana. Born from a chance discovery of over 18,000 studio portraits – a time capsule of personal milestones captured over the course of three decades by local photographer Frank Pease – LaPorte, Indiana is a candid look at a tight-knit American community. What started as a magazine assignment, blossomed into a documentary feature film and is now coming full circle as it’s turned into book. Jason shares his creative process and sheds light on the delicate balance of letting a story find you.

2:10 to 2:30
DIY EMPIRE “how a little art class took over the world” – MOLLY CRABAPPLE
Four years ago, as a broke art school drop-out Molly Crabapple set up Dr Sketchys, the anti-art school, as a social gathering in Brooklyn. Now a sought after fine artist, comics creator and illustrator in her own right, Dr Sketchy’s has spread to over 100 cities and has grown from an event, to a movement. Weekly, droves of artists and amateurs alike swarm to these experiences internationally to draw glamorous underground personalities from burlesque dancers to fetish models to drag queens. Molly shares the lessons learned and details how she’s using a little art class to build a mighty DIY EMPIRE.

2:35 to 2:45
OPEN SESSION what are you working on what do you need ? 1 minute x 10 people
Conference attendees are given 60 seconds to present a project and express what they need to make it happen. These slots are LIMITED and will be available on a first come first serve basis. Interested parties will be able to sign up for a slot when registration opens at 9:30.

2:45 to 3:05
MakerBot – BRE PETTIS
Bre Pettis loves to make things, share them with the world, and support others in their dreams of making things. He co-founded MakerBot Industries to bring manufacturing to the masses and he co-founded Thingiverse so there would be a place for to share digital designs on the web. He is also a founder of NYCResistor, a hacker collective that seeks to learn, share, and make things. When Bre’s not making things, he is sleeping.

3:10 to 3:40
NEW MODELS IN MUSIC – JESSE VON DOOM and BRIAN McTEAR
The music industry was the first media industry affected by file sharing, digital distribution, and new models centered around emerging technology. As the major labels try to find new ways to retain control, independent artists and labels are innovating with new ideas that bring music directly to their audiences. Similar changes are underway in film and print, and everyone is looking at music to see what will happen next. BRIAN McTEAR (Weathervane Music) and JESSE VON DOOM (CASH Music) discuss how their organizations are playing a part in the change, and shed some light on the trends that are growing today and how they’ll impact the music industry and beyond.

3:40 to 4:00
DIGITAL DIASPORA FAMILY REUNION – THOMAS ALLEN HARRIS
Harris will discuss the evolution of his new interactive online community engagement project “Digital Diaspora Family Reuinon” where genealogy meets the visual image to create new forms of particpatory storytelling. This project was developed parellel to a sister project his current documentary, “Through a Lens Darkly: Black Photographers and the Emergence of a People” which is slated for release in 2011.

4:00 to 5:00
DIY DAYS Incubator Pitches
Two media startups will make presentations in front of a live audience that detail their vision, business models and goals.

INCUBATOR

11:30 to 3:30
Two media Startups meet with experts from various industries to think thank their models and to craft presentations which will be made to those attending the conference at the end of the day.

WORKSHOP ROOM #1

11:30 to 12:30
HOW TO BUILD AN APP – NOAH HARLAN
This workshop will take you through the process of conceiving, developing and releasing an app for mobile platforms including the iPhone, Android, mobile web and other platforms. We will take a close look at the process of designing User Interface and User Experience. We will also look at the evolution of human interface interactions and where we are headed. What is the future of mobile devices, including the iPad, netbooks and smartphones. Particular focus will be on augmented & alternate reality design and building immersive worlds and transmedia integration.

12:30 to 1:15
LUNCH BREAK

1:15 to 2:00
AUGMENTED REALITY AND GEOLOCATIONAL STORYTELLING – ETHAN RUBLEE
The ubiquitous nature of smart phones and location aware devices means transmedia storytelling can become a local and dynamic experience for the masses. This workshop will serve as a rabbit hole into the technology behind AR and geo-locational platforms. Open source software, some programming gumption, and off the shelf hardware is all that is needed to experiment. Android phone app development will be thoroughly evangelized. Ideas on using local space to connect distant users will be explored. Show and tell includes AR on the Android, hacking the wiimote, anaglyph 3D, browser based AR, video see through head mounted displays, Google Maps api, and more.

2:00 to 2:30
OPEN SESSION – 3 x 10 minute talks
DO YOU HAVE A CONCEPT FOR A 10 MINUTE TALK?
We’re looking for three conference attendees who’d like to share something they’re working on, something they think will help others, and something that will be an interesting topic of discussion.

Those interested should email us at work [@] workbookproject [dot] com with the subject “open session.”

2:35 to 3:10
ONCE UPON A PLAYTIME – CHUCK WENDIG
Chuck Wendig kicks aside that old question, “Can games be art?” and instead focuses on the question: “Can games tell an effective story?” Are games – video games, pen-and-paper roleplaying games, ARGs – appropriate vehicles for the kind of stories and storytelling that incense, enliven, and challenge? What does the story arc of a game look like? What is the difference between plot and story in terms of gaming? Does any of this matter, or do we just want to slay dragons and blow stuff up?

3:10 to 4:10
HOW TO DESIGN FOR TRANSMEDIA – ANITA ONDINE and DAVID BEARD
How is transmedia production and distribution different from film, tv, video and game distribution? Join Anita Ondine and David Beard as they deliver a practical overview of the process of producing and distributing transmedia experiences. From budgeting and scheduling to designing an integrated workflow to the distribution of transmedia works across a broad range of delivery platforms – “How to Design Transmedia” will provide you with an overview of how to integrate transmedia effectively into your production and distribution process.

WORKSHOP ROOM #2

11:15 to 12:15
THE REAL YOU: PERSONAL BRANDING, SOCIAL MEDIA & STORYTELLING – MICHAEL MARGOLIS
Hello, is this microphone on? As an artist or creative, it’s easy to talk about your passions. Sure, everybody has a story to tell. Yet getting others to see, care, and believe in the same things you do is a different story. How can you market your truth in way that’s still relevant and genuine? This session introduces a new ego mindset for social media with brand frameworks that will encourage people to embrace and buying into your work.

12:30 to 1:15
LUNCH BREAK

1:15 to 2:15
SOCIAL MEDIA FOR STORYTELLERS – LESLIE POSTON and AMY GREENLAW
The most compelling reason for most musicians, filmmakers and writers to invest and interact in social media goes far beyond just numbers and fans. You have a story to tell, and you want it to be heard and shared. By creating stories that resonate and cultivating an audience that responds to them on an emotional level, you not only increase the reach of your story, you also grow your financial base and are more likely to recoup some or all your investment. This workshop will show you how to jumpstart finding the right audience and growing it into an army of evangelists for your story, which will help you support your artistic vision.

2:20 to 3:15
IRRESISTIBILITY & IDEAS WHOSE TIME HAVE COME – SCOTT BEIBIN and LIZ COLE
Media democratization continues to progress, and the notion of collaboration and mutual-aid gather much deserved cool points. A fresh wave of visionary voices have come to prominence in this new landscape of public consciousness. How did this happen? What was the intentionality behind it? Please join Elizabeth-Jane Cole and Scott Beibin who run Evil Twin Booking for a presentation on how they help to build audiences while engineering information coups in the mainstream press, creating viral media campaigns and organizing tours for socially and environmentally oriented speakers, performers, and films.

3:20 to 4:10
TBD

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DIY DAYS INCUBATOR

// March 26th, 2010 // 1 Comment » // NYC, news

One of the new additions to DIY DAYS NYC is an incubator that provides two media service Startups with the opportunity to think tank their concepts. Over the course of the day the Startups meet with a group of industry experts from various fields (biz dev, legal, funding, branding, design). The day will conclude with the Startups making a presentation to DIY DAYS attendees, after which the audience is encouraged to provide their feedback about the model.

We’re please to announce that the following two Startups will be part of the DIY DAYS NYC Incubator.

gigaplxicon

Gigaplx
founder Mark Schoneveld

gigaplx is an online software service for indie bands and music artists that will serve the needs of managing and monetizing professional independent tours in the united states.

gigaplx is a dynamic, robust but simple toolset for building relationships that make executing a successful club-to-club schedule easy.

gigaplx is an opportunity for reputation building and networking as well as tapping into a dynamic collective knowledge base.

gigaplx will include several marketing solutions for bands on tour, but also offer on-point services and sundries to keep the show on the road.

finally, gigaplx will make selling merch a snap with great deals on new band swag from partner dealers with discounted preferred customer rates.

www.gigaplx.com

openindieicon

OpenIndie
founders Arin Crumley and Kieran Masterton

OpenIndie is a site where anyone can request a local screening of a movie they want to see or put on a screening of any of the films on the site.  Upon the creation of a screening on the site email are automatically sent to anyone in the area that have also requested a screening of the film in question.  

In November 2009 the site received over $12,000 in donations via Kickstarter.com from over 250 backers eager to see the site exist. On March 1st 2010 OpenIndie.com launched in public beta and dozens of films have been added to the site.

The next step is to build the quantity of films on the site, allow users to leverage their existing social networks to promote films they like and build a network of theatrical venues to screen OpenIndie films. The next major feature release planned is OpenLicense which will allow filmmakers to have greater control over how they let the community distribute their film and ensure that OpenIndie is design to augment existing distribution channels.

OpenIndie imagines a future where audiences can travel to a town or city other than their own and immediately receive geo-centric pre-programmed alerts of screenings of films they’ve requested. Likewise, OpenIndie would like to provide a mobile application that would allow screening attendees to donate to filmmakers or buy film branded products right from their seat at the venue.

The over all goal of OpenIndie is to reinvent the cinema experience by bringing audience, filmmaker and exhibitor together in one simple, easy to use, space.

www.openindie.com

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DIY DAYS NYC – registration opens

// March 6th, 2010 // 1 Comment » // NYC, news, vid

The WorkBook Project and the New School are proud to present DIY DAYS NYC

Registration for DIY DAYS opens – space is limited.
Register for DIY DAYS NYC 2010 in New York, NY  on Eventbrite

WHEN:
Saturday, April 3rd 2010

9:30 AM attendee registration opens

10:15 AM Opening statements

10:15 AM to 5 PM Conference

5:30 PM to 8 PM After Party and mixer

WHERE:
The New School
66 W 12th St.
NY, NY 10011

WHO:
We have an exciting lineup of speakers for the event… With more to come.

TALKS by_
Ted Hope (producer of over 60 films – 21 Grams, Adventureland, American Splendor)
Cyndi Stivers (founding editor of Time Out New York and managing editor of EW)
Brian Newman (former CEO Tribeca Film Institute and founder of Springboard Media)
Jeff Gomez (CEO of Starlight Runner)
Molly Crabapple (award-winning artist, author, and the founder of Dr. Sketchy’s Anti-Art School)
Bre Pettis (co-founder of NYC Resistor and co-founder of MakerBot)
Jason Bitner (co-founder Found Magazine and Cassette From My Ex)
Dan Rollman (co-founder of the Universal Record Database)
Eclectic Method (groundbreaking Audio/Video DJs)
Lance Weiler (founder of the WorkBook Project, story architect of films, tv and games)
Michael Last and Theresa Loong (CEO and CCO of Intellitoys)
Jesse Von Doom (founder of CASH Music)
Brian McTear (founder Weathervane Music)
Anita Ondine and David Beard (CEO and CTA of Seize the Media)
Alex Johnson (co-founder of WBP LABS and co-creator RADAR)
Thomas Allen Harris (creator Through a Lens Darkly)
Chuck Wendig (game writer / designer and author of 80+ gaming books)
Noah Harlan (producer and mobile app developer)

WORKSHOPS on
- How to create a mobile application
- Developing and Deploying Transmedia Storyworlds
- How to write stories for games
- Social Media for Storytellers
- Working with Augmented Reality and Geolocational Storytelling

DIY DAYS INCUBATOR
We’re proud to announce a new section at DIY DAYS called the INCUBATOR. Our goal is to create a think tank of experts (legal, funding, biz dev, branding, design, tech dev) to help TWO media service startups flush out their business concepts while tapping into the true potential of their ideas. At the close of DIY DAYS the two startups will make presentations in front of a live audience that detail their vision, biz model and goals. The best presentation will win a startup package that includes a variety of services and / or cash prize to help them achieve their goals.

OPEN SESSIONS
“What are you working and what do you need?”

AFTER PARTY & MIXER
Drinks, food and DJ

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NEW ADDITION to the schedule:

// November 3rd, 2009 // No Comments » // news

We’re excited to announce a new addition to the evening’s schedule.

FIRESIDE: The Art and Craft of the ARG
ARGs offer an interesting extension to a storytelling experience. The real-time web and the connectedness of a variety of devices in one’s life become a jumping off point for game-play. Steve Peters (No Mimes Media) and Jan Libby (Sammeeeees, LG15, Eldritch Errors) two pratictionars and experience designers of Alternate Realtiy Games sit down for a candid conversation about the art and craft of designing, scaling and producing ARGs. Where do you start? How do you pace the experience? And how do you know if an ARG is the right extension for your storytelling process?

SPECIAL NOTE: Space is limited and we’re nearing capacity. So make sure to register soon.

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DIY DAYS LA 2009

// October 11th, 2009 // 3 Comments » // LA, news

On Thursday November 19th, DIY DAYS returns to LA for an evening of talks and networking. Plus the night will end with a rooftop party. More details will be available in the coming weeks.

DIY DAYS LA is FREE but requires you to REGISTER in advance of the event. Space is limited and is on a first come first serve basis.

The following is the current program listing. There are two very special guests who we’ll be announcing in the coming weeks. And as always if you’re interested in lending a hand we’re always looking for volunteers work [@] workbookproject [dot] com. It’s the volunteers who help to make the events possible and also allow us to make them FREE.

SPEAKERS

The following speakers are confirmed for DIY DAYS LA.

Jesse Alexander (Heroes, Lost, Day One) :: Elan Lee (4th Wall Studios) :: Lance Weiler (The Last Broadcast, Head Trauma, HiM) :: Scott Macaulay (producer of Gumo, Raising Victor Vargas, editor of Filmmaker Magazine) :: Jon Reiss (Bomb it! and author of Thinking Outside the Box(office) ):: Jerry Paffendorf (artist, futurist, entrepreneur) :: Dan Mirvish (Omha the movie, Open House, The Eisenstadt Experience) :: Steve Peters (No Mimes Media) :: Jan Libby (Sammeeeees, LG15, Eldritch Errors)

***CHECK BACK we’ll be adding more speakers in the coming weeks.

ADDITIONAL SPECIAL GUESTS TO BE ANNOUNCED

FIRESIDE: THE EVOLUTION OF STORYTELLING :: JESSE ALEXANDER and ELAN LEE
As we continue our series of discussions around the evolution of storytelling we’re joined by two pioneers in the space who are extending the experiences that surrounds the stories they tell. From massive global gaming experiences to hit TV shows Jesse Alexander (Heroes, Lost, Day One) and Elan Lee (Co-Founder and Chief Designer at Fourth Wall Studios) share the art and craft of how they design and develop transmedia experiences that create rich media franchises and engage audiences in new and interesting ways.

PRACTICAL: SOCIAL MEDIA FOR STORYTELLERS :: LANCE WEILER
With the advent of new technologies, devices and the emerging real-time aspects of the web, stories can travel and build audiences in new and exciting ways. The confines of a single format are replaced with the ability to move audiences from one experience to another — from one screen or device to another. There has been a lot of hype around the concept of social media but what does it really mean for storytellers? How can you use free tools and services to tell stories, engage an audience and most importantly, extend the life of your project? Lance Weiler (The Last Broadcast, Head Trauma, HiM) walks you through the process of getting up and running, understanding how to staff, how to budget, how to engage an audience and how to set realistic goals whilst determining measurements of success.

FIRESIDE: THE ART AND CRAFT OF THE ARG :: STEVE PETERS and JAN LIBBY
ARGs offer an interesting extension to a storytelling experience. The real-time web and the connectedness of a variety of devices in one’s life become a jumping off point for game-play. Steve Peters (No Mimes Media) and Jan Libby (Sammeeeees, LG15, Eldritch Errors) two pratictionars and experience designers of Alternate Realtiy Games sit down for a candid conversation about the art and craft of designing, scaling and producing ARGs. Where do you start? How do you pace the experience? And how do you know if an ARG is the right extension for your storytelling process?

CASE STUDY: THE EISENSTADT EXPERIENCE :: DAN MIRVISH
Dan Mirvish (Omaha the movie, Open House) charts his course from short film to web series to political scandals to an eventual book deal that is now leading to the whole story being optioned and turned into a film. “I Am Martin Eisenstadt: One Man’s (wildly inappropriate) Adventures with the Last Republicans,” is a mix of political intrigue, campaign-trail escapades, and cyberspace detective work. Desperate to rise through the ranks of Washington’s media punditocracy, Eisenstadt insinuates himself into the last 30 years of American politics – from losing his virginity to Fawn Hall, to interning on the Willie Horton ad campaign, to buying Sarah Palin’s wardrobe. Mirvish shares how his work has evolved beyond a single medium and the liberation that working within one’s limitations can bring.

ROUNDTABLE: ALL ABOUT ME ::
As content creators of all kinds strive to build fan bases and cultivate audiences for their work, many are finding that their best promotional vehicle is themselves. Panelists will discuss the benefits and pitfalls of creating an online cult of personality. How to develop an online persona, issues of privacy, and extending your own persona to work by others will all be discussed by a diverse group from different content industries.

PRACTICAL: THINKING OUTSIDE THE BOX(OFFICE) :: JON REISS
The world of discovery and distribution is changing by the moment. DIY and hybrid distribution is becoming the A option for many filmmakers. But how do you find the strategy that’s going to work best for you? How do you reach and engage audiences while achieving a degree of sustainability? Join Jon Reiss, award winning filmmaker and DIY distribution expert as he shares stories from the frontlines, much of which can be applied to those wishing to connect their creative efforts with an audience in meaningfully ways.

CASE STUDY: LOVELAND :: JERRY PAFFENDORF
Loveland is a collaborative art meets urban revitalization meets social ownership experiment that is attempting to sell off a million square inches of Detroit off at a $1 each. Jerry Paffendorf (artist, futurist, and entrepreneur) shares his vision for the project and how he is crowdsourcing the funding of his start-up while taking a creative approach to the design of not only the concept behind the project but also the way in which it is funded. Rooted within a hook that some might consider a novelty (million dollar homepage pops to mind), Paffendorf is embracing the playfulness of LOVELAND’s actual and virtual inches by documenting the process as if it was a natural history / storytelling project. The approach appears to be paying off as inchvestors are preparing all kinds of creative things around their plots. In the process LOVELAND could prove to be an interesting revitalization project that turns areas of Detroit and other cities into collaborative social art that is self-sustaining.

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DIY DAYS Philly: From Here to Awesome – talk

// September 10th, 2009 // No Comments » // FHTA, Philadelphia, news, vid

TALK – FROM HERE TO AWESOME: Production has become democratized while digital distribution is quickly becoming commoditized thus fragmenting the marketplace and resulting in little to no revenue. The problems that the independent film industry faces are well documented but where do we go from here? What are the new models of discovery and distribution? How are storytellers going to fund, create, distribute and sustain from their work? ARIN CRUMLEY (Four Eyed Monster, As the Dust Settles) SCOTT MACAULAY (film producer & editor of FILMMAKER MAGAZINE) NOAH HARLAN (film producer & mobile app developer), SCOTT KIRSNER (journalist and author), DON ARGOTT (ROCK SCHOOL)

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DIY DAYS Philly: CHANGES IN CREATIVE COLLABORATION

// September 3rd, 2009 // 2 Comments » // Philadelphia, news, vid

PART ONE:

PART TWO:

PANEL – A NEW BREED: A LOOK AT THE CHANGES IN CREATIVE COLLABORATION
There are more ways to collaborate then ever before. From pre-production to production to post to distribution there are a host of exciting new technologies and technics that enable storytellers to create. Join a team of cutting edge creators as they share their process of working with actors, crew, and each other in order to make films that have no creative borders. SABI PICTURES, TOM QUINN, EUGENE MARTIN, ARIN CRUMLEY, HUNTER WEEKS, ZEKE ZELKER, SASKIA WILSON-BROWN, MODERATOR SCOTT MACAULAY

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DIY DAYS Philly: NEW MODELS IN MUSIC

// August 30th, 2009 // No Comments » // Philadelphia, news, vid

ROUNDTABLE – NEW MODELS IN MUSIC
The music industry will never be the same again. The days of record advances and label supported tours are all but gone. Recorded music has lost much of its value due to the ease of sharing digital files. But as the industry struggles to maintain its’ control with the adoption of 360 degree deals which give them a take of licensing, touring, merchandise and music sales – many musicians are foregoing traditional deals and forging direct relationships with their audiences. BRIAN McTEAR (Weathervane), JESSE VON DOOM (CASH Music), LEAH KAUFFMAN (Phrequency) and MARK SCHONEVELD (yvynyl) share their personal insights into new models which promise to have impact beyond the music industry.

RELATED:
NEW BREED: WEATHERVANE MUSIC – a look at a new model

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DIY DAYS Philly: EXTENDING THE EXPERIENCE

// August 25th, 2009 // No Comments » // Philadelphia, news, vid

PART ONE

PART TWO

PANEL – EXTENDING THE EXPERIENCE With a decline in the penetration of traditional advertising due to digital technology and the emergence of an on-demand culture, studios and brands are experimenting with extending the way they reach audiences and potential customers. ARG (alternate reality games), virtualization, visualization, geo-locational services, augmented reality and mobile apps are all extending storytelling experiences. But how do you strike the balance between an industry that has come to measure itself by impressions with the value of audience engagement? Where does IP reside when authorship changes and the audience or consumer becomes creator? And is it possible to channel brand dollars into original content? MICHAEL MONELLO (Campfire Media, producer of the Blair Witch Project), BRIAN CLARK (founder of GMD Studios) and DAVID BEARD (Chief Technology Architect STM), JOHN THREAT (media threat) MODERATOR IVAN ASKWITH (Big Spaceship)

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